BONUS! LINK TO A PERFORMANCE OF Schubert's 4-hand "Marche Militaire" (which is referenced in THE RED PONY, at 42:00 or so). Added purely for the curious! NOTE: in the ensuing moments we briefly hear Alice Tiflin's piano performance of Beethoven's "Für Elise." And then after the scene with her father, she sits back down and plays the opening of the well-known Christian hymn, "Shall We Gather at the River.") At the fade out and into the next early morning scene, Copland's musical cue picks up with a brief reference to the hymn! (Very subtle, but it's there.)

• BONUS! LINK TO A PERFORMANCE OF Schubert's 4-hand "Marche Militaire" (which is referenced in THE RED PONY, at 42:00 or so). Added purely for the curious! NOTE: in the ensuing moments we briefly hear Alice Tiflin's piano performance of Beethoven's "Für Elise." And then after the scene with her father, she sits back down and plays the opening of the well-known Christian hymn, "Shall We Gather at the River.") At the fade out and into the next early morning scene, Copland's musical cue picks up with a brief reference to the hymn! (Very subtle, but it's there.)